State, Tourism and Heritage: Kalbeliyas in Post-Recognition Phase in India

The pre-recognition phase of heritage forms has often witnessed the dominant role of state parties in promotion, transmission and safeguarding of heritage instead of the involvement of local practitioners.

Kalbeliya dance heritage, in its pre-recognition phase, shows an active involvement of state institutions at the expense of Kalbeliya dancers who are the heritage bearers.

Keeping the viewpoints and voices of Kalbeliya dancers as integral, the aim of this interdisciplinary project is twofold; a) to explore the implications of tourism led commercialization of Kalbeliya dance for the agency and inclusion of Kalbeliya dancers in their heritage recognition, given the deep-rooted stigma associated with their dance and b) the complicity of stakeholders at state and national levels, primarily in the post-recognition phase of Kalbeliya dance, who can exclude the interests and needs of communities who are the bearers and custodians of heritage forms.

With Delhi and Rajasthan, in India, as two empirical sites, and drawing a nexus between state, heritage and tourism, we apply a methodology composed of various qualitative research methods, combining ethnography with interviews, observation and media analysis.

The relevance of the project is even broader as the findings of the project can be important in suggesting safeguarding measures to State cultural bodies who work in collaboration with UNESCO, by foregrounding viewpoints and voices of Kalbeliya dancers.