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| Funder | UK Research and Innovation |
|---|---|
| Recipient Organization | Glasgow School of Art |
| Country | United Kingdom |
| Start Date | May 31, 2021 |
| End Date | May 30, 2022 |
| Duration | 364 days |
| Number of Grantees | 1 |
| Roles | Principal Investigator |
| Data Source | UKRI Gateway to Research |
| Grant ID | NE/V019627/1 |
AHRC : Marcus Jack : AH/L503915
This project will examine the work of Scottish-Canadian experimental animator Norman McLaren through close analysis of the film production infrastructures and cultural programme of nation-building in Canada in the mid-twentieth century. Understanding McLaren as a complex figure caught between contradictory political, aesthetic and social conditions, this project will look at the strategies of complicity and subterfuge which enabled McLaren and his contemporaries to produce a remarkable body of film work against the odds.
This research will draw upon new archival research undertaken in Toronto and Montreal to form a live, event-based output delivered in Canada. On return to the UK, this will be followed by a period of research in Scottish archives with a view to the later development of a journal article.
Glasgow School of Art
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